Lionel Richie - Can't Slow Down 1983 Canada Rock, Funk / Soul
Last sold:

Lionel Richie - Can't Slow Down 1983
Record plays clean but is not perfectly flat. Storage bend.
1983
Jacket: Very Good Plus
Canada
Record plays clean but is not perfectly flat. Storage bend.
Tracklist:
A1 | Can't Slow Down Electronic Drums [Simmons Drum] – Paul Leim Guitar, Synthesizer [Bass Synthesizer], Synthesizer, Programmed By [Synthesizer Programming], Vocoder – David Cochrane Electronic Drums [Simmons Drum] – Paul Leim Guitar, Synthesizer [Bass Synthesizer], Synthesizer, Programmed By [Synthesizer Programming], Vocoder – David Cochrane | 4:42 | |
A2 | All Night Long (All Night) Arranged By [String & Horn Arrangements] – James Anthony Carmichael Backing Vocals – Calvin Harris*, David Cochrane, Deborah Thomas, James Anthony Carmichael, Kin Vassy, Lionel Richie, Richard Marx Bass Guitar – Abraham Laboriel Drums – John Robinson (2) Vocals [Vocal Sound Effects] – Melinda Joyce Chatman Voice [Hoopa Hollers] – Alison Maxwell, Billy "Bass" Nelson*, Carlos Rios (2), Darrell Jones (2), David Egerton, David Malvin, Gabrielle Greig, Greg Phillinganes, Jerry Montes, John Michael Montes, Marilyn Ammons, Melinda Joyce Chatman, Randy Stern, Rejauna Lynn Green, Ruth Diaz, Sally Greig, Sandy Dent-Crimmel, Sheldon J. Cohn, Esq.*, Sue Ann Butler, Susan Wood, Suzanne Stanford, Sylvia Genauer, Tanya Greig, Wilbert Terrell Written-By – Lionel Richie Arranged By [String & Horn Arrangements] – James Anthony Carmichael Backing Vocals – Calvin Harris*, David Cochrane, Deborah Thomas, James Anthony Carmichael, Kin Vassy, Lionel Richie, Richard Marx Bass Guitar – Abraham Laboriel Drums – John Robinson (2) Vocals [Vocal Sound Effects] – Melinda Joyce Chatman Voice [Hoopa Hollers] – Alison Maxwell, Billy "Bass" Nelson*, Carlos Rios (2), Darrell Jones (2), David Egerton, David Malvin, Gabrielle Greig, Greg Phillinganes, Jerry Montes, John Michael Montes, Marilyn Ammons, Melinda Joyce Chatman, Randy Stern, Rejauna Lynn Green, Ruth Diaz, Sally Greig, Sandy Dent-Crimmel, Sheldon J. Cohn, Esq.*, Sue Ann Butler, Susan Wood, Suzanne Stanford, Sylvia Genauer, Tanya Greig, Wilbert Terrell Written-By – Lionel Richie | 6:18 | |
A3 | Penny Lover Arranged By [String Arrangements] – James Anthony Carmichael Bass Guitar – Abraham Laboriel Concertmaster – Israel Baker Drums – Paul Leim Electric Piano [Fender Rhodes] – John Hobbs Guitar – Carlos Rios (2) Synthesizer [& Wave] – Michael Boddicker Synthesizer [GS1] – Lionel Richie Arranged By [String Arrangements] – James Anthony Carmichael Bass Guitar – Abraham Laboriel Concertmaster – Israel Baker Drums – Paul Leim Electric Piano [Fender Rhodes] – John Hobbs Guitar – Carlos Rios (2) Synthesizer [& Wave] – Michael Boddicker Synthesizer [GS1] – Lionel Richie | 5:26 | |
A4 | Stuck On You Arranged By [String Arrangements] – James Anthony Carmichael Bass Guitar – Joe Chemay Concertmaster – Israel Baker Drums – Paul Leim Synthesizer [GS1] – Lionel Richie Synthesizer, Sampler [Emulator] – Michael Boddicker Written-By – Lionel Richie Arranged By [String Arrangements] – James Anthony Carmichael Bass Guitar – Joe Chemay Concertmaster – Israel Baker Drums – Paul Leim Synthesizer [GS1] – Lionel Richie Synthesizer, Sampler [Emulator] – Michael Boddicker Written-By – Lionel Richie | 3:06 | |
B1 | Love Will Find A Way Bass Guitar – Nathan East Guitar – David Cochrane Synthesizer [Additional] – Michael Boddicker Synthesizer [GS1], Synthesizer – Greg Phillinganes Bass Guitar – Nathan East Guitar – David Cochrane Synthesizer [Additional] – Michael Boddicker Synthesizer [GS1], Synthesizer – Greg Phillinganes | 6:10 | |
B2 | The Only One Arranged By [String Arrangements] – Jeremy Lubbock Concertmaster – Israel Baker Drums – John Robinson (2) Guitar – Steve Lukather Keyboards, Bass Guitar – David Foster Arranged By [String Arrangements] – Jeremy Lubbock Concertmaster – Israel Baker Drums – John Robinson (2) Guitar – Steve Lukather Keyboards, Bass Guitar – David Foster | 4:15 | |
B3 | Running With The Night Bass – Joe Chemay Drums – Jeff Porcaro Guitar – Carlos Rios (2) Guitar, Soloist – Steve Lukather Piano – John Hobbs Synthesizer, Vocoder – Michael Boddicker Bass – Joe Chemay Drums – Jeff Porcaro Guitar – Carlos Rios (2) Guitar, Soloist – Steve Lukather Piano – John Hobbs Synthesizer, Vocoder – Michael Boddicker | 5:58 | |
B4 | Hello Acoustic Guitar – Tim May Arranged By [String Arrangements] – James Anthony Carmichael Bass Guitar – Joe Chemay Concertmaster – Harry Bluestone Drums – Paul Leim Electric Guitar – Darrell Jones (2) Electric Piano [Fender Rhodes] – Reginald "Sonny" Burke* Guitar – Louie Shelton Piano – Lionel Richie Synthesizer – Michael Boddicker Written-By – Lionel Richie Acoustic Guitar – Tim May Arranged By [String Arrangements] – James Anthony Carmichael Bass Guitar – Joe Chemay Concertmaster – Harry Bluestone Drums – Paul Leim Electric Guitar – Darrell Jones (2) Electric Piano [Fender Rhodes] – Reginald "Sonny" Burke* Guitar – Louie Shelton Piano – Lionel Richie Synthesizer – Michael Boddicker Written-By – Lionel Richie | 4:07 |
Record and Jacket Condition
Mint
No flaws whatsoever. Defects from a freshly-opened factory pressing are not acceptable. I never use this grade with used records and most new records will not deserve it.
Near Mint
Virtually flawless, not perfect. A minor scuff and the flaw should be very hard to see. If an imperfection covers more than a few tracks I will rarely give it a record a near mint grade. Very Good PlusRecord shows cosmetic scuffs and hairlines. Particularly in hard light. Some flaws will be noticeable to the naked eye, there should not be too many. Gloss should be very strong. No imperfection should be textured enough to feel with a finger. Such textured imperfections are called 'feelies'. This record should play with little to no noise. The odd bit of static might just be dust. Most records should be cleaned before they are played and semi-regularly after that.
Very Good
A Very Good record will appear played with numerous cosmetic imperfections. This is a silly grade that makes little sense. A record may appear to be in good condition but play with repeated or continual noise, crackle or static. A record that is in excellent (Near Mint) condition with a single 'feelie' imperfection usually falls into this grade.
I do not usually sell records that are below the Very Good grade.
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